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Aliens vs. Predator: Xenogenesis

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Aliens vs. Predator Xenogenesis 1
Aliens vs. Predator: Xenogenesis
Written by Andi Watson
Illustrated by Mel Rubi
Ben Herrera
Inked by Mark Lipka
Norman Lee
Christopher Ivy
Mike Perkins
Lettered by Pat Brousseau
Steve Dutro
Colored by David Stewart
Studio F
Cover(s) by Hugues Labiano
Edited by Philip Amara
Publisher Dark Horse Comics
Release date(s) Dec 1999-Mar 2000
Media type
Preceded by Aliens vs. Predator: The Web
Followed by Alien vs. Predator: Thrill of the Hunt
Alternate cover

Aliens vs. Predator: Xenogenesis, also known as Aliens vs. Predator: Genocide, is a four-issue limited comic book series that was first published by Dark Horse Comics from December 1999-March 2000. It was written by Andi Watson, illustrated by Mel Rubi and Ben Herrera, inked by Mark Lipka, Norman Lee, Christopher Ivy and Mike Perkins, lettered by Pat Brousseau and Steve Dutro, colored by David Stewart and Studio F and edited by Philip Amara, with cover art by Hugues Labiano.

Aliens vs. Predator: Xenogenesis formed the Aliens vs. Predator component of Dark Horse's franchise-crossing Xenogenesis event in 1999, and was released in conjunction with Aliens: Xenogenesis and Predator: Xenogenesis. The three loosely interconnected stories all share a similar new art and storytelling style that was a departure from the those typically found in the series until then.

The conclusion of Xenogenesis also marked the beginning of a ten-year hiatus in the regular publication of new Aliens vs. Predator comics. During this time, the only original comics to be released would be a handful of movie tie-in issues. Aliens vs. Predator: Xenogenesis was preceded by Aliens vs. Predator: The Web, and was followed by the Alien vs. Predator: Thrill of the Hunt.

Publisher's SummaryEdit

#1: A girl named Charley is doing time on a prison colony. Her boyfriend Elliot has a step-mom in The Company who's willing to get Charley out of stir... for a price. All Charley and Elliott have to do is pull a heist at a rival company's research complex. Simple, until a certain dreadlocked hunter from space frees the research. And you get just one guess as to what that "research" is.

#2: Charley and Elliott located the deadly "research" being conducted by a rival to The Company, and now they're trapped inside the complex! When a Predator comes to free and hunt this captive Alien, Charley and Elliott might have a ticket out of this mess... if they're not casualties of the crossfire.

#3: It's all just one big mess! Charley and Elliott survive an attack by Aliens and reach the safe containing the prized Alien eggs. Too bad someone or something got to it first! Problem is, Charley and Elliott's employer won't give them the security codes to get out of the complex until they've completed their mission. What's worse? A particularly creative Predator has turned the entire complex into a hunter's maze!

#4: With Aliens overrunning the secret complex, the remaining people trapped inside are in the middle of a deadly cat-and-mouse game between the creatures and the ultimate hunter the Predator! And Charley and Elliot are in the most dangerous predicament of all even if they survive the Aliens, they've been chosen as the Predators' new prey! What began as a simple mission of corporate piracy has turned into a horrific battle for survival!

Reprint HistoryEdit

Aliens vs. Predator: Xenogenesis was eventually collected, under the title Aliens vs. Predator: Genocide, as part of Aliens vs. Predator Omnibus: Volume 2 in October 2007.

The complete comic was released digitally through Dark Horse Digital on May 29, 2013, under its original title and reusing Hugues Labiano's cover art from issue 3.

Behind the ScenesEdit

Due to a number of internal references, it is hard to place exactly what time period the Xenogenesis stories occur in with regard to the existing Alien films or comics series, though it is clearly the Earth's future.

The Xenogenesis event was not received particularly positively by fans due to its drastic changing of the art and storytelling style of the three lines to a brighter, more typically "comic booky" style, akin to that prevalent in superhero comics by the other big comic book companies.


Issue coversEdit


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