|Aliens: The Alien|
|Written by||John Arcudi|
|Illustrated by|| Tony Akins|
|Inked by||Paul Guinan|
|Lettered by||Willie Schubert|
|Cover(s) by||Paul Guinan|
|Edited by||Randy Stradley|
|Publisher||Dark Horse Comics|
|Release date(s)||Nov 1991|
|Preceded by||Aliens: Reapers|
|Followed by||Aliens: Genocide|
Aliens: The Alien is a short comic book story that was first published by Dark Horse Comics in the anthology series Dark Horse Presents, Vol. 1 #56, in November 1991. Originally published in black and white, the story was written by John Arcudi, illustrated by Tony Akins and Paul Guinan, inked by Guinan, lettered by Willie Schubert and edited by Randy Stradley. The issue of Dark Horse Presents also featured featured a jam cover with an Aliens segment by Guinan. The story explains how the Earth is made habitable again after the events of Aliens: Earth War, and serves as a prequel to the four-issue series Aliens: Genocide.
The President of the United States and his ministers are called to Gateway Station, where they are appointed to meet with the Space Jockey who is orbiting the Earth and reshaping the planet with a terraforming. The meeting is actually an assassination attempt that helps free humanity from potential subjugation.
Aliens: The Alien was first serialized and reprinted in the United Kingdom in 2 parts in Aliens magazine, Vol. 1 #12-13, from January-February 1992.
It was later collected alongside a number of other Aliens stories published in Dark Horse Presents up to that point in the Dark Horse Presents: Aliens trade paperback, released in April 1992. For this release the story was colored by Rachelle Menashe.
The story was was eventually collected again as part of Aliens Omnibus: Volume 1 in July 2007.
The comic was released digitally through Dark Horse Digital on February 13, 2013, collected with Aliens: Theory of Alien Propagation and reusing John Bolton's cover art from Aliens, Vol. 2: Nightmare Asylum.
Behind the ScenesEdit
This long unsung short story serves as an important connecting link between Aliens: Earth War and Aliens: Genocide, taking place between the two stories and explaining how the Earth becomes habitable again after the events at the end of Earth War, at which point the Earth was apparently left a nuclear irradiated waste with a Space Jockey vessel hovering in orbit and conducting terraforming of the whole planet via an energy beam. The explanation in The Alien allowed for the plausibility of all of the events that followed in Genocide and every other Aliens and Aliens vs. Predator story since.
United Kingdom-based artist Simon Bisley is world renown for his painted fantasy-style artwork on titles such as Judge Dredd, Lobo, and Heavy Metal magazine.