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Alien vs. Predator is a 2004 novelization of the film of the same name, written by Marc Cerasini and published by HarperCollins.

Publisher's Summary[]

The two most terrifying forces in the universe are about to fight to the death... and Earth is their battleground!

A mysterious structure has been detected via satellite far below the ice at the bottom of the world. Assembled by a billionaire industrialist, a crack team of scientists, drillers, archaeologists and adventurers has traveled to the Antarctic wastes to make history by exploring what is believed to be a fully preserved pyramid pre-dating those built by early Egyptian and Mexican civilizations. But once this expedition crew enters, there will be no way out — and no hope left for mankind. Because deep within the labyrinth, a terror is stirring — an alien monstrosity more vicious, cunning, evil and unstoppable than any species in the universe — except one: the otherworldly Predators who brought the nightmare to Earth to begin with and who are now returning here to face the beast once more in unholy combat.

The battle is about to begin — and to the victor will go the planet.

Differences from the Film[]

The novelization of Alien vs. Predator is somewhat unique in the franchise in that it not only contains scenes not found in the film, but also entire characters that are absent from the movie, such as Funan the Hunter, Sven Nyberg, Olga Arenas and Captain Leighton. The added scenes from the Unrated Edition of the film are also included, such as the Predator attack on the whaling camp in 1904, Verheiden catching Miller messing around on the snowcat, and Lex, Sebastian and Miller finding a dead Facehugger in the sacrificial chamber. Lastly, the novel does not eschew more graphic violence like its film counterpart; several scenes feature levels of blood and gore more comparable to the preceding films in the Alien and Predator franchises. Other differences between the book and the film include:

  • The book contains a completely new opening set in Northern Cambodia in 2000 BC.[1] It follows Funan and three of his tribal friends as they stalk a wild pig near a forbidden sacred pyramid. Just as they are about to make the kill, they are suddenly attacked by Aliens; three of the men are killed almost immediately, while Funan survives to witness a Predator arrive and begin fighting one of the Aliens.[2] This scene was planned for the movie but cut before filming.
  • The final days of the whaling camp on Bouvetøya in October 1904 are expanded from what is seen in the Unrated Edition of the film. As the season draws to a close, the whaling team witness strange lights on the horizon and a group is dispatched to investigate. They discover a Predator drop-pod embedded in the ice and it is brought back to camp.[3] Later, the pod opens and releases the Predator inside, which proceeds to slaughter the camp's inhabitants, taking their skulls as trophies, until only Karl Johanssen remains. Johanssen's fate is also slightly different from the film; while stumbling through the ruined camp, he encounters an Alien in the mess, which is then attacked by a Predator as it is about to kill him.[4] In the film he encounters the Predator first, which is then attacked by an Alien as it approaches him.
  • In the film, the receiving station that picks up the transmission from the PS12 satellite is in Silver Leaf, Nebraska; in the book, it is located somewhere in New Mexico.[5] Additionally, the film includes pizza boxes from Daily Pie Cafe, a real world restaurant, formerly located in Pie Town, New Mexico.
  • As with the 1904 prologue, the scene at the receiving station is considerably expanded, and begins with Fin Ullbeck entering the facility and bumping into a colleague, who informs him he has successfully moved an old satellite out of PS12's intended orbit.[6] Fin then goes to his desk and manually shifts PS12 into its new orbital trajectory.
  • Lex is said to be climbing the Khumbu Icefall, not the "Lho La Ice Fall" as in the film.[7] Kumbu is a real icefall on Everest, whereas Lho La is actually a col.
  • The scene at Sebastian's dig site in Mexico is extended. Before finding the bottle cap, Sebastian meets with a woman named Olga Arenas, who is Juan Ramirez's assistant, and the two discuss the fact that the permit for the dig has run out with nothing found. The extended scene reveals more about Sebastian's background, and how several of his theories on a link between ancient cultures have ostracized him from the wider scientific community.[9]
  • The bottle cap is simply found in the bottom of a trench in the book, whereas in the film it is inside a (presumably looted) chamber underground.[10]
  • Weyland 14 is a Westland Sea King.[11] In the film, it is portrayed by a miniature based on the Eurocopter AS365.
  • Miller is American and wears incredibly thick glasses.[11]
  • A brief added scene on the bridge of the Piper Maru introduces the captain of the ship, a man called Leighton.[12] The scene continues to show Weyland 14 setting down on the vessel, and Lex saves Miller's suitcase when it almost gets knocked overboard.[13]
  • The moment where Lex notices the bottle cap hanging around Sebastian's neck takes place on the Piper Maru in the novel, before the briefing with Weyland.[14] In the film this happens much later, during the trek across the ice.
  • The book states that Connors is a member of Quinn's drilling team, whereas in the film he is one of Stafford's mercenaries.[15]
  • The character of Charles Bishop Weyland is significantly different when compared to the film. In the book, he is said to be in his forties, considerably younger than he is in the movie (Lance Henriksen was 63 at the time of filming), and has a habit of carrying a golf club wherever he goes, which privately doubles as a walking stick to help steady him in moments when his health fails.[16] He also comes across as far more arrogant and selfish.
  • Two new scenes are added following Weyland's briefing in which first Sebastian and then Lex check out their cabins on the Piper Maru, both of which are expensively decorated and stocked with brand new clothes and luxury goods.[17]
  • When Lex confronts Weyland in his office about the suitability of her replacement, Weyland asks that she stay for dinner and reconsider leading the expedition.[18] This then leads into a new scene where the team (minus Weyland and Max) enjoy an opulent meal in the Piper Maru's mess hall, cooked by an expert chef whom Weyland has flown in specially. During dinner, it is revealed that there is history between Lex and Quinn's drilling team; Quinn had been prospecting for oil in Alaska several years previously, but Lex had him shut down on environmental grounds.[19] The scene ends with Lex taking Miller, Sebastian and Thomas outside to look at the southern lights, as seen in the film.
  • As the Predator Mother Ship passes the Moon, the occupants awake from stasis sleep, rising naked from tanks filled with viscous fluid.[20] This scene was planned for the film but dropped.
  • In the film, the Predator ship fires a powerful laser at the Earth to bore the tunnel down to the pyramid. In the book this is never said to happen, and the exact origins of the hole are left mysterious.
  • Lex's safety briefing before the team heads out takes place on the Piper Maru's deck, not in the cargo hold.[21] It is also extended, and she goes over some of the equipment the team will be using. At the end, Miller almost falls overboard when the ship strikes the ice, but Lex saves him.
  • Upon arriving offshore near the whaling camp, Leighton gives Weyland an overview of the terrain the expedition will be crossing on the bridge of the Piper Maru.[22]
  • In the novel, there are five Predators rather than three.[23] This reflects early drafts of the film's script.
  • The Predator armor is described as a pressurized, full body suit that is internally filled with an atmosphere similar to (presumably) that of the Yautja homeworld.[24] This helps to explain how the Predators are hunting in Antarctica, the coldest place on Earth, when previous films have stressed the creatures prefer incredibly warm environments.
  • The Predators actually have Plasmacasters among the weapons on their ship, but elect not to take them.[25] The film, particularly the Unrated Edition, makes it clear the Predators are adolescents who do not yet have access to Plasmacasters and that their hunt is in fact an initiation ritual designed to test whether they are worthy of wielding such weapons. Before descending to Earth, the Predators also kneel before a large effigy of a warrior god aboard their ship.[25]
  • When Miller is scared by noises in the whaling hut, he tells the unseen culprit, "Come out of there or you'll be wearing your ass for a hat!" thus mimicking what Verheiden said to him earlier when he was messing around inside the snowcat.[26]
  • When the expedition discovers the hole bored through the ice, it is Sven who throws a flare down the tunnel, not Lex. The group's conversation is also extended, with Quinn pointing out how the technology used was clearly far in advance of anything he and his men possess. As a result, he is reluctant to continue without finding out more.[27] This scene was filmed but not included in the movie.
  • As the team explores the whaling camp, Lex catches Miller without his hat on, complaining that it is itchy. She insists he put it back on, explaining how she once saw a man lose both ears to frostbite.[28] This scene was filmed but not used in the film.
  • As it waits offshore, the Piper Maru receives a storm warning from the U.S. Navy informing them that a serious weather front is moving in their direction.[29] The crew then radio Quinn to inform him of the development, who in turn passes the message on to Max during the descent to the temple.[30]
  • A little later, the Piper Maru detects the incoming Predator ship on its radar, traveling at Mach 10 and heading straight for them. As the ship passes overhead, the sonic boom shatters the ship's windows and the wake rocks the vessel so violently several men are thrown overboard onto the ice.[31] Leighton attempts to warn the team at the whaling station that the object is heading in their direction, but cannot get through because of the storm.
  • As well as the structure the team enters, the book notes that there is an entire complex of pyramids, with the others buried but visible within the surrounding ice.[32]
  • In the book, it is Verheiden who steps on the hidden pressure plate and triggers the Queen's revival; in the film, Connors does this.[33]
  • As well as the restraints that bind her, the Queen is also hooked up to some sort of regulatory machine, from which sprout numerous hoses and tubes that penetrate her body.[34] While she is in enforced hibernation, these tubes pump a sleeping agent into her system; when she is revived, they instead feed in chemicals that reactivate certain parts of her biology.[35]
  • It is shown that not all of the Eggs the Queen lays are fertile, and the infertile ones are incinerated by an automated system.[35]
  • On her way into the pyramid, Lex leaves strobe light beacons as "breadcrumbs" to help the team find its way back out again.[36]
  • The sacrificial chamber is filled with hundreds of human skeletons, piled high in the corners of the room.[37]
  • While patrolling the base camp on the surface, Quinn discovers Weyland's mercenaries unpacking military-grade weaponry and arming up. He points out that it is illegal to bring firearms to Antarctica, but the mercenaries brush him off.[38]
  • Unlike in the film, where the mercenaries predominantly carry G36C assault rifles, in the book they are instead armed with MP5 sub-machine guns.[38]
  • As they move out from the sacrificial chamber, Lex notices the stalactites of "ice" hanging from the ceiling are a strange color; when Miller analyzes them with a portable spectral analysis machine he is carrying, he determines they are not ice at all but some kind of hydraulic fluid.[39] This is designed to tie into the later twist that the pyramid's interior is able to rearrange itself.
  • When Quin encounters the heavily armed Klaus on the surface, he again asks why the mercenaries have brought so much firepower. Klaus responds that they may need to protect the valuable find from rival expeditions.[40] This scene was planned for the film, but not used.
  • Boris' death is different and far more gruesome in the book; instead of simply being thrown across the room and breaking his neck, a Predator lops off both of his arms before severing his throat.[41] In a reference to the original Predator, one of his severed arms continues to fire his sub-machine gun as it lies on the floor.
  • The first hanging body Quinn stumbles into while fleeing the Predators, revealed to be Klaus, has been beheaded as well as being strung up.[42]
  • As events unfold at the pyramid site, the book continues to follow what is happening aboard the Piper Maru, detailing how the crew battles to clear the ice accumulating on the superstructure before it sinks the ship, thus revealing why they are unable to send help to the group at the whaling station.[43]
  • The sarcophagus containing the Plasmacasters is described as being bullet-shaped and made of metal in the book, thereby making it clear it was constructed by the Predators.[44] The locking mechanism is also substantially different — instead of dials based on the Aztec calendar, it consists of a series of circles that glow when touched, with a similar set of circles on a nearby wall. When Sebastian sets both to match the constellation Orion, the sarcophagus opens.[45]
  • After the temple has shifted for the first time, Lex and the others with her cross a bridge over a seemingly bottomless cavern, and they briefly discuss how humans could not possibly have built such a pyramid, and may have been aided by aliens.[46]
  • The Chestbursters hatching from Adele, Thomas and the others in the sacrificial chamber is never mentioned in the book; this instead happens "off-screen".
  • Connors' abduction by a Xenomorph is never explicitly revealed in the book; he is never encountered again after being separated from the rest of the group by the shifting walls, although Miller and Verheiden hear him crying for help and later screaming as they crawl through the maze of narrow shafts.[48] In the film, Connors has already been taken by the time Miller and Verheiden enter the labyrinth.
  • After becoming separated from Miller, Verheiden finds a shed Xenomorph skin.[49]
  • The fight between Celtic and Grid is shorter and less intense, and ends differently; instead of Grid taking the Predator by surprise when breaking out from the net, Celtic apparently accepts that he cannot defeat the creature and allows Grid to kill him.[50]
  • Weyland's death is also different. When he attacks Scar with the makeshift flamethrower, he actually succeeds in setting the Predator alight, and Scar bellows in pain. Despite this, Scar stabs Weyland with his Wristblades as in the film, before drawing him into the fire and burning him. Weyland's inhaler tank then explodes, enveloping them both in a fireball, although Scar survives the blast.[51]
  • Scar Bloods himself with the finger of a deceased Drone, not a Facehugger.[52] After marking himself, Scar mutilates the dead Alien and takes its inner jaw as a trophy.[53] The subsequent Facehugger attack that forebodes his impregnation does not happen in the book; as with several other events, this instead occurs "off-screen".
  • When Lex and Sebastian are discussing how the Predators have visited Earth to hunt before, Lex mentions an unexplained nuclear explosion that took place on Bouvet Island in 1979, the implication being the Predators were responsible.[54] This is based on a real event that remains unsolved (the Vela Incident), although in reality this explosion did not take place on Bouvet Island but near the Prince Edward Islands, which are over 1,500 miles away. While the cause of the detonation has never been definitively determined, it is thought to have been a nuclear weapons test conducted by South Africa and/or Israel.
  • The two additional Predators in the book are killed while searching the corpses of Stone and Bass for weaponry. The first is ensnared by a Xenomorph tail and hoisted up to the ceiling, where several of the creatures rip it apart.[55] The second then engages the Xenomorphs in a brief fight — at one point it bisects a leaping Facehugger with a Smart Disc, much like Scar in the final film — but is seriously wounded when the flesh is stripped from one of its legs by a Xenomorph's talons. The Predator is overpowered and pinned to the floor, at which point Grid appears, holding the Predator's head while a Facehugger crawls onto its face and subdues it.[56]
  • Grid is referred to as the "alpha-Alien" and is described as being physically larger than the other Aliens.[57]
  • After Miller shoots the Facehugger while cocooned in the Hive, he shouts, "Score one for the Beakers!"[58] This scene was filmed but cut from the movie.
  • When Lex and Sebastian jump the chasm, neither of them quite makes it and they both end up hanging from the edge. While trying to climb out, they have to fight off three Facehuggers, succeeding in kicking the creatures into the crevasse.[59]
  • After Sebastain is taken, his Pepsi bottle cap rolls past Lex and falls into the ravine.[60]
  • While Lex is fighting her first Xenomorph, Grid reappears and attacks Scar. The two engage in a lengthy and brutal hand-to-hand duel, which ends when Grid is buried under falling masonry.[61] Several more Xenomorphs arrive and attempt to dig Grid out, but Scar drives them off using his newly acquired Plasmacaster.[61]
  • Scar is able to manipulate the Pyramid's shifting walls via a hieroglyph keypad on the wall, sealing a door just in time to stop a second attack by a revived Grid and a swarm of Drones.[62]
  • While dissecting a the Xenomorph corpse, Scar touches the creature's brain and causes its arm to snatch out towards Lex, an act she interprets as a joke.[63] A similar scene was added to the Unrated Edition of the movie, but with the Alien's inner jaw filling the role of its arm in the book.
  • Throughout the final act, Scar uses recordings of Lex's voice to communicate with her.[64]
  • Instead of just a shield and spear, Lex wears a more complete suit of armor made from Alien mesoskeleton, including a helmet. Scar also dons several pieces of Xenomorph armor, to replace his own that has been damaged by acid blood.[65] He also fashions himself an armored glove covered in the broken blades of one of his Shurikens.[66]
  • On their way back up through the pyramid, Lex and Scar find several of the strobes Lex dropped earlier.[67]
  • As Lex and Scar flee the pyramid, the Predator that was impregnated earlier stumbles into them. A Chestburster erupts from its chest, but Scar kills both with his Plasmacaster.[68]
  • Grid again attacks Scar at the base of the tunnel through the ice, along with another Alien, which Scar decapitates.[69]
  • After reaching the surface, Scar sees the Queen and her horde racing up the tunnel after them, with Grid riding on her back.[70] Grid actually reaches the surface before the Self-Destruct Device detonates, but is killed when the blast shoots up the tunnel and blows the Xenomorph apart.[71] This was filmed but altered so that Grid is killed underground in the movie.
  • When Scar Bloods Lex, he burns a thunderbolt mark on her forehead.[72] This is a reference to the original Aliens vs. Predator comic, in which Machiko Noguchi is similarly marked, but was changed for the film to have him burn a stylized Xenomorph on her cheek.
  • When the iron separator vat goes over the cliff, it does not immediately break the thick ice, and the Queen recovers and prepares to attack Lex. However, just as she is about to deliver the killing blow, the ice breaks and she is dragged over the cliff and into the ocean.[73]

Trivia[]

  • Alien vs. Predator contains a photo section showcasing full-color promotional images from the movie. Prior to this, only the junior novel of Alien Resurrection had done something similar among the Alien, Predator and Alien vs. Predator film novelizations
  • Author Marc Cerasini was asked to return and write a novelization of Alien vs. Predator's sequel, Aliens vs. Predator: Requiem, but prior work commitments combined with a tight schedule meant he was forced to turn the project down.[74]
  • Several lines of dialogue added in the book are clear references to other movies. For example, while pleading his case at the dig site in Mexico, Sebastian tells Olga Arenas, "Archaeology is not an exact science." This same line is said under similar circumstances by archaeologist René Belloq in Indiana Jones and the Raiders of the Lost Ark. Later, when the expedition is first exploring the pyramid, Lex tells the rest of the group, "If you liked that, you're gonna love this." This is a quote from Private Hudson in Aliens. Then, when moving deeper into the structure, Lex muses to Sebastian, "Imagine. In a thousand years I could be a valuable archaeological find." This is also remarkably similar to dialogue spoken by Belloq in Indiana Jones and the Raiders of the Lost Ark.
  • The book would be the last English-language novelization in the Alien/Predator/Alien vs. Predator franchise until Alien: Covenant by Alan Dean Foster. While Prometheus did have a novelization, it was only published in Japan.

Goofs[]

See: Alien vs. Predator goofs#Novelization

Editions[]

See Also[]

References[]

  1. Marc Cerasini. Alien vs. Predator, p. 1 (2004), HarperEntertainment.
  2. Marc Cerasini. Alien vs. Predator, p. 8 (2004), HarperEntertainment.
  3. Marc Cerasini. Alien vs. Predator, p. 13 (2004), HarperEntertainment.
  4. Marc Cerasini. Alien vs. Predator, p. 17 (2004), HarperEntertainment.
  5. Marc Cerasini. Alien vs. Predator, p. 18 (2004), HarperEntertainment.
  6. Marc Cerasini. Alien vs. Predator, p. 19 (2004), HarperEntertainment.
  7. Marc Cerasini. Alien vs. Predator, p. 25 (2004), HarperEntertainment.
  8. Marc Cerasini. Alien vs. Predator, p. 31 (2004), HarperEntertainment.
  9. Marc Cerasini. Alien vs. Predator, p. 38 (2004), HarperEntertainment.
  10. Marc Cerasini. Alien vs. Predator, p. 42 (2004), HarperEntertainment.
  11. 11.0 11.1 Marc Cerasini. Alien vs. Predator, p. 47 (2004), HarperEntertainment.
  12. Marc Cerasini. Alien vs. Predator, p. 50 (2004), HarperEntertainment.
  13. Marc Cerasini. Alien vs. Predator, p. 52 (2004), HarperEntertainment.
  14. Marc Cerasini. Alien vs. Predator, p. 56 (2004), HarperEntertainment.
  15. Marc Cerasini. Alien vs. Predator, p. 58 (2004), HarperEntertainment.
  16. Marc Cerasini. Alien vs. Predator, p. 65 (2004), HarperEntertainment.
  17. Marc Cerasini. Alien vs. Predator, p. 69 (2004), HarperEntertainment.
  18. Marc Cerasini. Alien vs. Predator, p. 76 (2004), HarperEntertainment.
  19. Marc Cerasini. Alien vs. Predator, p. 77 (2004), HarperEntertainment.
  20. Marc Cerasini. Alien vs. Predator, p. 84 (2004), HarperEntertainment.
  21. Marc Cerasini. Alien vs. Predator, p. 86 (2004), HarperEntertainment.
  22. Marc Cerasini. Alien vs. Predator, p. 91 (2004), HarperEntertainment.
  23. Marc Cerasini. Alien vs. Predator, p. 93 (2004), HarperEntertainment.
  24. Marc Cerasini. Alien vs. Predator, p. 94 (2004), HarperEntertainment.
  25. 25.0 25.1 Marc Cerasini. Alien vs. Predator, p. 95 (2004), HarperEntertainment.
  26. Marc Cerasini. Alien vs. Predator, p. 101 (2004), HarperEntertainment.
  27. Marc Cerasini. Alien vs. Predator, p. 104 (2004), HarperEntertainment.
  28. Marc Cerasini. Alien vs. Predator, p. 108 (2004), HarperEntertainment.
  29. Marc Cerasini. Alien vs. Predator, p. 111 (2004), HarperEntertainment.
  30. Marc Cerasini. Alien vs. Predator, p. 113 (2004), HarperEntertainment.
  31. Marc Cerasini. Alien vs. Predator, p. 118 (2004), HarperEntertainment.
  32. Marc Cerasini. Alien vs. Predator, p. 126 (2004), HarperEntertainment.
  33. Marc Cerasini. Alien vs. Predator, p. 128 (2004), HarperEntertainment.
  34. Marc Cerasini. Alien vs. Predator, p. 130 (2004), HarperEntertainment.
  35. 35.0 35.1 Marc Cerasini. Alien vs. Predator, p. 132 (2004), HarperEntertainment.
  36. Marc Cerasini. Alien vs. Predator, p. 135 (2004), HarperEntertainment.
  37. Marc Cerasini. Alien vs. Predator, p. 137 (2004), HarperEntertainment.
  38. 38.0 38.1 Marc Cerasini. Alien vs. Predator, p. 142 (2004), HarperEntertainment.
  39. Marc Cerasini. Alien vs. Predator, p. 144 (2004), HarperEntertainment.
  40. Marc Cerasini. Alien vs. Predator, p. 147 (2004), HarperEntertainment.
  41. Marc Cerasini. Alien vs. Predator, p. 150 (2004), HarperEntertainment.
  42. Marc Cerasini. Alien vs. Predator, p. 152 (2004), HarperEntertainment.
  43. Marc Cerasini. Alien vs. Predator, p. 155 (2004), HarperEntertainment.
  44. Marc Cerasini. Alien vs. Predator, p. 158 (2004), HarperEntertainment.
  45. Marc Cerasini. Alien vs. Predator, p. 159 (2004), HarperEntertainment.
  46. Marc Cerasini. Alien vs. Predator, p. 173 (2004), HarperEntertainment.
  47. Marc Cerasini. Alien vs. Predator, p. 181 (2004), HarperEntertainment.
  48. Marc Cerasini. Alien vs. Predator, p. 188 (2004), HarperEntertainment.
  49. Marc Cerasini. Alien vs. Predator, p. 189 (2004), HarperEntertainment.
  50. Marc Cerasini. Alien vs. Predator, p. 199 (2004), HarperEntertainment.
  51. Marc Cerasini. Alien vs. Predator, p. 204 (2004), HarperEntertainment.
  52. Marc Cerasini. Alien vs. Predator, p. 207 (2004), HarperEntertainment.
  53. Marc Cerasini. Alien vs. Predator, p. 219 (2004), HarperEntertainment.
  54. Marc Cerasini. Alien vs. Predator, p. 212 (2004), HarperEntertainment.
  55. Marc Cerasini. Alien vs. Predator, p. 214 (2004), HarperEntertainment.
  56. Marc Cerasini. Alien vs. Predator, p. 216 (2004), HarperEntertainment.
  57. Marc Cerasini. Alien vs. Predator, p. 215 (2004), HarperEntertainment.
  58. Marc Cerasini. Alien vs. Predator, p. 218 (2004), HarperEntertainment.
  59. Marc Cerasini. Alien vs. Predator, p. 223 (2004), HarperEntertainment.
  60. Marc Cerasini. Alien vs. Predator, p. 224 (2004), HarperEntertainment.
  61. 61.0 61.1 Marc Cerasini. Alien vs. Predator, p. 231 (2004), HarperEntertainment.
  62. Marc Cerasini. Alien vs. Predator, p. 234 (2004), HarperEntertainment.
  63. Marc Cerasini. Alien vs. Predator, p. 241 (2004), HarperEntertainment.
  64. Marc Cerasini. Alien vs. Predator, p. 242 (2004), HarperEntertainment.
  65. Marc Cerasini. Alien vs. Predator, p. 243 (2004), HarperEntertainment.
  66. Marc Cerasini. Alien vs. Predator, p. 245 (2004), HarperEntertainment.
  67. Marc Cerasini. Alien vs. Predator, p. 247 (2004), HarperEntertainment.
  68. Marc Cerasini. Alien vs. Predator, p. 256 (2004), HarperEntertainment.
  69. Marc Cerasini. Alien vs. Predator, p. 259 (2004), HarperEntertainment.
  70. Marc Cerasini. Alien vs. Predator, p. 261 (2004), HarperEntertainment.
  71. Marc Cerasini. Alien vs. Predator, p. 262 (2004), HarperEntertainment.
  72. Marc Cerasini. Alien vs. Predator, p. 267 (2004), HarperEntertainment.
  73. Marc Cerasini. Alien vs. Predator, p. 272 (2004), HarperEntertainment.
  74. "AVPGalaxy - Marc Cerasini Interview". Retrieved on 2017-10-20.

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