OOTSTrilogyHeader Out of the Shadows Spacer Sea of Sorrows Spacer River of Pain Spacer Goofs

Out of the Shadows Cover
Alien: Out of the Shadows
Author(s) Tim Lebbon[1]
Publisher Titan Books[1]
Release date(s) January 28, 2014[1]
Media type Mass-market paperback[1]
Pages 320[1]
Cover by


  • 978-1781162682[1]
Preceded by Aliens: No Exit
Followed by Alien: Sea of Sorrows
Alternate cover
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Alien: Out of the Shadows is a 2014 novel written by Tim Lebbon and published by Titan Books.[1] Set between Alien and Aliens, the book chronicles Ellen Ripley's involvement in a Xenomorph outbreak on the planet LV-178 and the mining vessel in orbit above it. The survivors' attempts to escape the creatures are further complicated by Ash, whose AI consciousness has survived inside the shuttle that brought Ripley to them.

As well as the standard print edition, the novel has been released in audio formats twice — as an audio drama, read by an ensemble cast and directed by Dirk Maggs, and as a standard, unabridged audiobook, read by Jeff Harding. Both were published by Audible Studios and released in 2016. The audio drama was released on April 26, 2016, to coincide with Alien Day.

Out of the Shadows is the first novel in the 2014 Alien novel trilogy, which was designed to tie into the events of the existing film series. It was followed by Alien: Sea of Sorrows and Alien: River of Pain. It was originally slated for release in December 2013, but was later delayed until January 7, 2014. It was later delayed again, and finally saw release on January 28, 2014.

Publisher's Summary

As a child, Chris Hooper dreamed of monsters. But in deep space, he found only darkness and isolation. Then on planet LV-178, he and his fellow miners discovered a storm-scoured, sand blasted hell — and trimonite, the hardest material known to man.

When a shuttle crashes into the mining ship Marion, the miners learn that there was more than trimonite deep in the caverns. There was evil, hibernating — and waiting for suitable prey.

Hoop and his associates uncover a nest of Xenomorphs, and hell takes on new meaning. Quickly they discover that their only hope lies with the unlikeliest of saviors... Ellen Ripley, the last human survivor of the salvage ship Nostromo.


In 2159, the deep space mining vessel DSMO Marion, under the command of Captain Jordan, is in orbit around LV-178 while its crews mine for trimonite beneath the planet's surface. Two days after the Marion's crew lose contact with the mine complex, the ship's transport shuttles, the Samson and the Delilah, launch from the planet and head for the Marion at full speed; contact with their crews reveal alien creatures on board that are slaughtering the shuttles' occupants. The Delilah arrives out of control and ploughs into the Marion, severely damaging the ship and killing Jordan, along with Security Officer Cornell. The Samson arrives under autopilot and docks successfully, but the survivors aboard the Marion, now led by Chief Engineer Hoop, seal it off to contain the four Aliens on board. The damage report on the Marion is grim — the impact has knocked the vessel out of its orbit, and with no way to correct it the ship will eventually burn up when it hits LV-178's atmosphere. Worse still, the long-range antenna has been destroyed, leaving the survivors unable to transmit anything other than a localized distress call.

The Marion's transmission is detected by the Narcissus, the escape shuttle used by Ellen Ripley to flee the destruction of the USCSS Nostromo thirty-five years previously. Unknown to Ripley, the shuttle is under the control of Ash, who, before his destruction on the Nostromo, uploaded his AI consciousness to the shuttle's systems. Learning of the Aliens on the Marion, Ash reroutes the shuttle to rendezvous with the mining vessel, still seeking to fulfil Special Order 937 and recover one of the creatures. Upon arrival, Ripley's joy at being rescued is quickly shattered by the realization that she has been drifting for three and a half decades, that Ash is still with her, and that she has awoken in the midst of another life-threatening scenario involving the Alien horror.

With time running out before the Marion enters LV-178's atmosphere, the survivors hatch a desperate plan — to flee in the Narcissus, taking it in turns to use the shuttle's single hypersleep pod for six months at a time, hoping to reach inhabited space before they die of old age. However, before they can leave they must replace the shuttle's spent fuel cell, and the only viable cells are stored in the mine on LV-178. Worse still, the only ship capable of taking them there is the Samson, still docked and sealed with four Aliens on board. With no alternative, the crew open the Samson and take on the Aliens using mining tools. Engineers Welford and Powell are killed, along with medic Garcia, while one of the Aliens survives and escapes onto the Marion.

Leaving the Alien on board the Marion, the remaining survivors — Hoop, Ripley, Sneddon, Baxter, Kasyanov and Lachance — fly to the surface of LV-178 in the Samson and enter the mine. As they descend into the complex, Ash (who has now infected the Marion's computers) sabotages the elevator and sends them plunging to the very lowest level of the mine, where the miners originally stumbled upon the Xenomorphs. The elevator is smashed beyond repair, and the survivors are forced to trek through the complex to reach a second elevator at the far side. They soon stumble upon a Xenomorph Hive, as well as a massive derelict spacecraft buried underground. With the Xenomorphs pursuing them, they have no choice but to head inside the ship.

The survivors soon discover they have been herded inside because the ship is full of Xenomorph Eggs, which were apparently being nurtured by the ship's long-dead creators, a mysterious race of dog-like aliens. The survivors desperately fend of multiple Xenomorph attacks and the repeated assaults begin to take their toll — Baxter breaks an ankle, Sneddon is subdued by a Facehugger, Kasyanov is sprayed with acid, losing the use of one arm, and Ripley is badly wounded by a Xenomorph spawned from the ancient dog-aliens. Despite their injuries, the survivors escape the ship and reach the second elevator, although Baxter is bisected when a Xenomorph pulls him partially out of the cage as it is ascending.

The survivors finally recover a replacement fuel cell, setting a second to overload and destroy the mine, before returning to the Marion. Once on board they witness the explosion on the planet's surface. As the group heads to the medical bay to treat the wounded and gather supplies, they are attacked by the remaining Xenomorph and Lachance is killed. A revived Sneddon chases after the creature, eventually cornering it in a hold where she blows herself up as the Chestburster inside her begins to hatch, killing the adult Xenomorph as well. With time running out before the Marion enters LV-178's atmosphere and breaks up, Hoop and Kasyanov place Ripley in the ship's med pod to treat her wounds. Tormented by recurring nightmares of her daughter Amanda being killed by the Xenomorphs, Ripley also begs to have her memories of recent events wiped, and Hoop reluctantly complies. Kasyanov also enters the med pod to heal her own injuries, but in cruel twist Ash takes over and has the machine kill her.

Hoop carries an unconscious Ripley to the Narcissus and puts her into stasis with Jones, who had remained safely locked aboard the shuttle all along. Hoop then wipes Ash from the shuttle's computer with a powerful virus program, finally destroying him, but discovers that the rogue AI, in a final act of defiance, has sabotaged the shuttle's automatic docking release. With no alternative, Hoop bids farewell to Ripley and steps back onto the Marion to launch the shuttle. He tearfully watches her leave, knowing that she won't even remember him when she wakes up.

Awaiting the Marion's disintegration, Hoop fetches all the supplies he can and boards the Samson. He watches the Marion break up in LV-178's atmosphere, looking down on the obliterated mining complex. Cast away, with no faster-than-light or stasis capability, Hoop helps himself to a bottle of bourbon and records a distress call, declaring himself last survivor of the Deep Space Mining Orbital Marion.


The novel is the first in a new trilogy that ties into the events of the Alien films, although the subsequent books will not be penned by Lebbon, but by two other authors — James A. Moore and Christopher Golden, respectively. The project was said to have been spearheaded by Golden after Titan Books expressed an interest in publishing new Alien novels.[2] According to Lebbon, "the three novels are very much stand-alone, but they do together form a fascinating, wide-ranging look at the Alien universe, and Weyland-Yutani's scheming place in it."[2] The novels are being written under the supervision of 20th Century Fox, and have been confirmed as part of the film series' canon.[2]


Reception to the novel was generally positive, although with a fair amount of reservation and criticism directed at the inclusion of Ellen Ripley, which was viewed as unnecessary and — given that her survival into Aliens was guaranteed — detrimental to any suspense the book may otherwise have generated.[3] The manner in which Ripley's memories of the events aboard the Marion were erased was also derided. The lack of development in the supporting characters was likewise singled out as one of the novel's shortfalls, with many agreeing the supporting cast were merely "fodder for the aliens".[4] However, the book's action sequences were strongly praised, as was the introduction of the unidentified aliens and their derelict spacecraft buried under the surface of LV-178.[3][5] Lebbon was also commended for his grasp of Ripley's character, with several reviewers pointing out that her dialogue in particular sounded very much like it could have come from Ripley as portrayed in the film series by Sigourney Weaver.[6]

Audio Versions

Audio drama

Out of the Shadows audiobook

Alien: Out of the Shadows: An Audible Original Drama.

In April 2016, Audible Studios released an audio drama version of Out of the Shadows, directed by Dirk Maggs and starring Matthew Lewis, Laurel Lefkow (who previously voiced Katya in the video game Aliens vs. Predator), Corey Johnson and Rutger Hauer. The audio drama runs for 4 hours and 31 minutes and was released on April 26, 2016, to coincide with Alien Day. Following its success, Audible produced a similar audio drama for the novel Alien: River of Pain, the third novel in the Out of the Shadows trilogy, which was released the following year.

Voice cast

Differences from the novel

  • The audio drama starts with a brief added scene before Ripley enters hypersleep on the Narcissus (following the destruction of the Nostromo). In it, she records a message to her daughter Amanda explaining what has happened to her ship and crew.
  • The Marion's computer frequently makes audio announcements throughout the story, such as to deliver important news, issue warnings or welcome people when they enter a new area of the ship. This leads to several humorous exchanges between the computer's nonchalant statements and the exasperated crew, as well as an additional moment of horror when the Alien loose aboard the ship triggers one of the welcome messages nearby. In the original book, it is never indicated that the ship's computer can speak.
  • In the novel, the Xenomorphs aboard the Samson initially spare its pilot Vic Jones for seemingly no reason, only to kill him later. In the audiobook, they leave him alone because he has a Chestburster inside him — only after it kills him do the other creatures drag him away.
  • When the Marion's crew prepare to clear the Samson, Ash remotely opens the shuttle's hatch prematurely, unleashing the Xenomorphs within before the survivors are ready.
  • After one of the Aliens gets loose aboard the Marion, the survivors frequently hear it moving around in the vents nearby, much like in Alien: Isolation.
  • When the crew discover the small Hive aboard the Samson, Ripley immediately knows what it is, going on to state "that's how the Nostromo began to look". This would imply the audiobook follows the continuity of the Alien Director's Cut.
  • Ash is already aware of the existence of Xenomorph Queens despite the subject never being brought up in Alien, nor with any apparent evidence to lead him to this conclusion.
  • Ash surreptitiously assists the survivors when they reach the mine, opening locked doors for them. However, he also disables the mine's security cameras so that Baxter cannot remotely check their surroundings on his tablet; in the novel, there simply aren't any cameras outside of the surface dome.
  • Sneddon records an audio log documenting the interior of the derelict ship (the obvious purpose of which is to help the listener visualise the area) as well as taking photos as in the novel.
  • When the group finds the dead miners cocooned to the walls inside the derelict, Baxter and Sneddon go on to describe in some detail how exactly the Facehugger/Chestburster process works, despite there being no way they could know this with such certainty.
  • Ash becomes aware of Sneddon's condition much sooner than in the novel. In the audio drama, he discovers it while the group is still in the mines; in the novel, he does not find out until they are back on the Marion.
  • Ash discovers Ripley's message to her daughter in the Narcissus' memory banks and duly begins searching for Amanda.
  • Once they escape the ruins back into the mine, the survivors seal a pressure to door to hold the pursuing Xenomorphs at bay. However, Ash remotely opens the door again, unleashing them.
  • In the process of tracking down Amanda, Ash learns of her trip to Sevastopol Station aboard the Torrens. However, he fails to learn of her whereabouts.
  • Perhaps the most significant change in the audio drama concerns the fates of Sneddon and the final Alien aboard the Marion, both of whom survive longer than in the novel. Instead of Sneddon blowing the creature up with the cache of charge thumper bolts as soon as she chases it into Hold 2, she passes out from the pain of the Chestburster moving inside her and the Xenomorph slips back out into the ship. It goes on the hunt for the other survivors, cornering Hoop on the bridge — although it does not see him — and the two play a game of cat and mouse around the various consoles in the room in a sequence highly reminiscent of Alien: Isolation. When the creature fails to find him it slips back into the ventilation system. Hoop then heads to Hold 2, hoping to lure the Xenomorph back there and trigger the charge thumper bolts himself, but sees that it has beaten him there. Inside, he reunites with Sneddon, who has come round again, the birth of her Chestburster imminent. The Xenomorph confronts them both but does not attack, and Hoop asks Sneddon to blow the charges and kill them all. She refuses, instead telling Hoop to escape, threatening to kill her herself — and the Chestburster within her — with a plasma torch in order to distract and confuse the adult while he flees. With her dying breath, she creams at Hoop to run, and he barely escapes before she detonates the bolts, killing herself, the Xenomorph and the Chestburster emerging from her.
  • Instead of simply cutting Kayanov's throat inside the medpod, Ash vivisects her with multiple laser scalpels.
  • After Hoop sends Ripley on her way, Ash taunts him via the Marion's audio system, pointing out that he still infests the Marion and the Samson. As a result, Hoop purges the shuttle's computer just like he did the Narcissus before he departs.
  • Aside from the direct references, the audio drama makes several allusions to Alien: Isolation, with characters mentioning both the Seegson Corporation and its Working Joe line of androids.


In June 2016, Audible also released a standard, unabridged audiobook version of Out of the Shadows, read by Jeff Harding. The audiobook runs for 9 hours and 55 minutes, twice the length of its audio drama predecessor. It was released on June 9, 2016.


  • Alien: Out of the Shadows was the first Alien novel to be published by Titan Books (although the company had previously produced several other Alien-related books), taking over from DH Press.
  • Out of the Shadows is the only book in the trilogy of which it is part that does not include a reference to water in its title (unlike its sequels, Sea of Sorrows and River of Pain).
  • As with the other two books in the trilogy, Out of the Shadows' title has a musical link; it shares its name with the second album by rock band The Shadows, Out of the Shadows (1962).
  • As a reference to Prometheus, a MedPod appears in the novel.
  • The book notably introduces an alien species other than the Xenomorphs — the dog-aliens that created the ship the miners uncover. Previously, such non-Xenomorph species were limited to Aliens comics books and even then were a rarity; notable examples include the lizard-like space travelers in Aliens: Theory of Alien Propagation, the Reapers from Aliens: Reapers, the reptilian Xenomorph-eating alien from Aliens: Taste, the alien pilot shown in Aliens: Earth Angel, the hunting village aliens from Aliens: Alien, the extraterrestrial scientists in Aliens: Incubation, the alien monkeys in Aliens: Fire and Stone and, of course, the Predators and Engineers.
  • The artwork on the cover of the book comes from artist Dan Luvisi, a famous photoshop painter who also created the LMS series.[citation needed] The image (with slightly different colors) was also used in promotional artwork for the 2013 video game Aliens: Colonial Marines.
  • The events of the novel are referred to in Alien: The Weyland-Yutani Report.
  • In the audiobook, Ash is voiced by Rutger Hauer. This was likely a deliberate choice, as Hauer played replicant Roy Batty, who, like Ash, is an artificial human, in Blade Runner, which, like Alien, was directed by Ridley Scott.
  • The audio drama version uses sound effects from Alien: Isolation, such as Xenomorph shrieks being derived from the ones the Drone makes.


See: Alien: Out of the Shadows trilogy goofs



External Links


  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 " - Alien: Out of the Shadows (Novel #1)". Retrieved on 2013-12-29.
  2. 2.0 2.1 2.2 "AvP2Daily - Interview with Tim Lebbon". Retrieved on 2013-08-13.
  3. 3.0 3.1 "Den of Geek - Alien: Out of the Shadows Book Review". Retrieved on 2014-11-25.
  4. "Pop Insomniacs - Book Review: Tim Lebbon Awakens Ellen Ripley in "Alien: Out of the Shadows"". Retrieved on 2014-11-25.
  5. "Adventures in SciFi Publishing - Book Review: Alien: Out of the Shandows by Tim Lebbon". Retrieved on 2014-11-25.
  6. "Seattle Pi - Book Review: 'Alien: Out of the Shadows' by Tim Lebbon". Retrieved on 2014-11-25.